Journal of the Society for Asian Music
Adams, Monni. Instruments and Songs of Sumba, Indonesia: A Preliminary Survey. 13/1: 73-83.
Adachi, Mayumi, with Ewald Hensler. Nineteenth-Century Japanese Hymnals: A Preliminary Study. 29/2: 115-127.
Addiss, Stephen. Music of the Cham Peoples. 2/1: 32-38.
__________. See record review.
Aksenov, A.N., trans. by Slobin. Tuvin Folk Music. 4/2: 7-18.
al Faruqi, Lois Ibsen. The Cantillation of the Qur’an. 19/1: 2-25.
__________. Music, Musicians and Muslim Law. 17/1: 3-36.
__________. Structural Segments in the Islamic Arts. . .Errata for Volume 16, number 1: 59-82. 16/2: 203.
__________. Structural Segments in the Islamic Arts: the Musical "Translation" of a Characteristic of the Literary and Visual Arts. 16/1: 59-82.
__________. The Status of Music in Muslim Nations: Evidence from the Arab World. 12/1: 56-85.
Albright, Charlotte F., see book review (Signell).
__________, see record review.
Alter, Andrew. Barhwali Bagpipes: Syncretic Processes in a North Indian Regional Musical Tradition. 29/1: 1-16.
Anon. To Contributors. 19/1: 132.
__________. Introduction. 18/2: 1-13.
__________. Bibliography (on Performing Arts in India). 18/2: 231-240.
__________. To Contributors. 18/1: 214-215.
__________. To Contributors. 17/2: 210-211.
__________. Announcements. 17/1: 168.
__________. Note to Contributors. 16/2: 83.
__________. Announcement. 16/2: 204.
__________. Errata for Volume XVI, number 1 (al Faruqi). 16/2: 203.
__________. The Graduate Center of the City of New York announces the formation of the Traditional Japanese Music Society. 13/2: 150-151.
__________. In Memory of Konrad Bekker. 13/1: 1-3.
Arana, Miranda, see record review.
Arnold, Alison E. Aspects of Production and Consumption in the Popular Hindi Film Song Industry. 24/1: 122-136.
__________, see book review (The Record News).
Asai, Susan. Origins of the Musical and Spiritual Syncretism of Nomai in Northern Japan. 28/2: 51-71.
__________, see book review (Gerstle et al.).
Babiracki, Carol M, with Bruno Nettl. Internal Interrelationships in Persian Classical Music: The Dastgah of Shur in Eighteen Radifs. 19/1: 46-98.
Baier, Randall, with Manuel. Jaipongan: Indigenous Popular Music of West Java. 18/1: 91-110.
Baily, John. A Description of the Naqqarakhana of Herat, Afghanistan. 11/2: 1-1.
__________. Recent Changes in the Dutar of Herat. 8/1: 29-64.
Bakan, Michael B. From Oxymoron to Reality: Agendas of Gender and the Rise of Balinese Women’s Gamelan Beleganjur in Bali, Indonesia. 29/1: 37-85.
__________, see record review.
Bandem, I Made;, with Deboer. Gambuh: A Classical Balinese Dance-Drama. 10/1: 115-127.
Barnett, Elise B., see book review (Collaer).
__________, see film review.
Bar-Yosef, Amatzia. Traditional Rural Style Under a Process of Change: The Singing Style of the Hadday, Palestinian Folk Poet-Singers. 29/2: 57-82.
Becker, Alton, with J. Becker. A Reconsideration in the Form of a Dialoque. 14/1: 9-16.
__________, with J. Becker. A Grammar of the Musical Genre Srepegan. 14/1: 30-73.
Becker, Judith. One Perspective on Gamelan in America. 15/1: 82-89.
__________. Kroncong, Indonesian Popular Music. 7/1: 14-19.
__________. Western Influence in Gamelan Music. 3/1: 3-9.
__________, with A. Becker. A Reconsideration in the Form of a Dialoque. 14/1: 9-16.
__________, with A. Becker. A Grammar of the Musical Genre Srepegan. 14/1: 30-73.
__________, see film review (Miller et al.).
Beeman, William O. You Can Take Music Out of the Country, but...: The Dynamics of Change in Iranian Musical Tradition. 7/2: 6-19.
Benary, Barbara. Composers and Tradition in Karnatic Music. 3/2: 42-51.
Benjamin, S.G.W. The Sheahs and the Tazieh, or Passion-play of Persia. 13/2: 91-114.
Benski, Tova, with Braun and Sharvit. Towards a Study of Israeli Urban Musical Culture: the Case of Kiryat Ono. 17/2: 168-209.
Berger, Donald Paul. The Shakuhachi and the Kindo Ryu Notation. 1/2: 32-72.
__________, see book review (The Annals of the International Shakuhachi Society, Vol. 1).
__________, see book review (Kamisango and Blasdel).
__________, see record review.
Bernaviz, Nimrod, see book review (Birrel).
Blum, Stephen. The Concept of the Asheq in Northern Khorasan. 4/1: 27-47.
Boer, Joep, see book review (Farrell).
Bohlman, Philip V. R.G. Kiesewetter’s Die Musik Der Araber’: A Pioneering Ethnomusicological Study of Arabic Writings on Music. 18/1: 164-196.
__________. The Immigrant Composer in Palestine, 1933-1948: Stranger in a Strange Land. 17/2: 147-166.
__________, with Slobin. Music in the Ethnic Communities of Israel: Introduction. 17/2: 1-8.
Booth, Gregory D. The Madras Corporation Band: A Story of Social Change and Indigenization. 28/1: 61-86.
__________. Disco Laggi: Modern Repertoire and Traditional Performance Practice in North Indian Popular Music. 23/1: 61-84.
__________, see book review (Kinnear).
__________, see book review Randel).
__________, see book review (Nijenhuis, ed. and trans.).
__________, see record reviews.
Brace, Tim. Popular Music in Contemporary Beijing: Modernism and Cultural Identity. 22/2: 43-66.
__________, see book review (Andrew Jones).
Braun, Joachim, with Benski and Sharvit. Towards a Study of Israeli Urban Musical Culture: the Case of Kiryat Ono. 17/2: 168-209.
Brinner, Benjamin. Freedom and Formularity in the Suling Playing of Bapak Tarnopangrawit. 24/2: 1-38.
__________. At the Border of Sound and Silence: The Use and Function of Pathetan in Javenese Gamelan. 21/1: 1-34.
Burghardt, Arnold R. The Historical Background of Indore and Satellite Courts. 7/2: 51-53.
Burnett, Henry. An Introduction to the History and Aesthetics of Japanese Jiuta-Tegotomono. 11/2: 11-40.
Cadar, Usopay. The Role of Kolintang Music in Maranao Society. 27/2: 81-104.
____________. Maranao Kolintang Music and Its Journey in America. 27/2: 131-148.
____________, with Robert Garfias. Some Principles of Formal Variation in the Kolintang Music of the Maranao. 27/2: 105-122.
Cage, John. The East in the West. 1/1: 15-18.
Cao Zheng, trans. by Knobloch. A Discussion of the History of the Gu Zheng. 14/2: 1-16.
Capwell, Charles. Musical Life in Nineteenth-Century Calcutta as a Component in the History of a Secondary Urban Center. 18/1: 139-163.
__________, see book review (Jairazbhoy).
Carroll, Robert, trans. Earliest Reports About the Music of the Mongols (Emsheimer). 18/1: 1-19.
Catlin, Amy, see film review (Miller et al.).
Caton, Margaret, see book review (Farhat).
__________, see book review (During et al.).
Chang, Peter. Tan Dun’s String Quartet Feng-Ya-Song: Some Ideological Issues. 22/2: 127-158.
Charter, Vernon, with Jean DeBernardi. Towards a Chinese Christian Hymnody: Processes of Musical and Cultural Synthesis. 29/2: 83-113.
Chen Fu-yen, intro. and trans. Principles of K’un-Ch’¸ Singing (Chih An). 8/2: 4-25.
__________. A Hypothesis Concerning the Taiwanese Hsi Ch’¸ of the Past. 5/1: 40-55.
__________, with Song, Tsuge. Source Readings in Asian Music: East Asia. 8/2: 1-3.
__________, see record review.
Chia Chun Chu, see book review (Tsao).
Cho Chae-Son, see book review (Song).
Chong In-ji, intro. and trans. by Song. Ritual Tradition of Korea . 8/2: 26-46.
Chonpairot, J., see record review.
Chopyak, James D. Music in Modern Malaysia: a Survey of the Musics Affecting the Development of Malaysian Popular Music. 18/1: 111-138.
Chou Wen-chung. East and West, Old and New. 1/1: 19-22.
Christensen, Dieter. Musical Style and Social Context in Kurdish Songs. 6/1-2: 1-6.
Chuang Pen-li. Traditional Chinese Music for Birthday Celebrations. 6/1-2: 7-12.
Ciarlilo, Marjorie Ann, see record review.
Clark, Susan D., see book review (Brailoiu).
Collinge, Ian. Developments in Musicology in Tibet: The Emergence of a New Tibetan Musical Lexicon. 28/1: 87-114.
Condit, Jonathan. Uncovering Earlier Melodic Forms from Modern Performance: The Kasa Repertoire. 9/2: 3-20.
__________, with Wolpert, Marrett, Picken. "The Waves of Kokonor": A Dance-Tune of the T’ang Dynasty. 5/1: 3-9.
Connett, Marie. Subject Index for volumes I-XXI of Asian Music. 21/2: 110-146.
Cook, Scott. Yue Ji - Record Music: Introduction, Translation, Notes, and Commentary. 26/2: 1-96.
Craig, Dale A. Transcendental World Music. 2/1: 2-7.
Czekanowska, Anna. Aspects of the Classical Music of Uighur People: Legend Versus Reality. 14/1: 94-110.
Daniélou, Alain. Plurality of Cultures or Synthesis. 2/2: 2-6.
Danielson, Virginia. Min al-Mashatyikh: A View of Egyptian Musical Tradition. 22/1: 113-128.
__________. The Qur’an and the Qasidah: Aspects of the Popularity of the Repertory Sung By Umm Kulthum. 19/1: 26-45.
__________, see book review (Cantemir).
Davis, Ruth. Traditional Arab Music Ensembles in Tunis: Modernizing Al-Turath in the Shadow of Egypt. 28/2: 73-108.
DeBoer, Fredric, with Bandem. Gambuh: A Classical Balinese Dance-Drama. 10/1: 115-127.
DeJean, Joan. Fictive Performances: Oriental Music in Alexandre Dumas’ The Count of Monte Cristo. 11/1: 99-105.
Delza, Sophia. The Dance-Arts in the People’s Republic of China: The Contemporary Scene. 5/1: 28-39.
DeBernardi, Jean, with Vernon Charter. Towards a Chinese Christian Hymnody: Processes of Musical and Cultural Synthesis. 29/2: 83-113.
Denny, Walter. Music and Musicians in Islamic Art. 17/1: 37-68.
Diamond, Beverley, see book review (Kartomi).
Dilling, Margaret Walker, see film review (Miller et al.).
DiSpirito, James D., see book review (Kippen).
Djijiak, Tom, trans. with Levin, Slobin. Uzbek Instrumental Music (Karomatov). 15/1: 11-53.
Donner, William, see book review (Frith and McLean).
Dorje, Rinjing, with Ellingson. "Explanation of the Secret Gcod Da Ma Ru": An Exploration of Musical Instrument Symbolism. 10/2: 63-91.
Dunham, Mary Frances, see book review (Van Zile).
Durga, S.A.K. Indian Literature on Vocal Abuse. 15/1: 1-10.
__________, see book review (Deva).
During, Jean. La Musique Traditionnelle Iranienne en 1983. 15/2: 11-31.
__________. L’Oreille Islamique: Dix Annees Capitales De La Vie Musicale En Iran: 198-1990. 23/2: 135-164.
Duriyanga, Phra Chen. Siamese Music. 13/2: 55-90.
Egert, Nina, see book review (Helffer).
__________, see recording reviews.
El-Shawan, Salwa. Western Music and its Practitioners in Egypt (CA. 1825-1985): The Integration of a New Musical Tradition in a Changing Environment. 17/1: 144-153.
__________. The Socio-Political Context of Al-Musika Al- Arabiyyah in Cairo, Egypt, Policies, Patronage, Institutions, and Musical Change. 12/1: 86-128.
Ellingson, Ter. Review Essay: Four Tibeten Recordings. 12/2: 133-153.
__________. ‘Don Rta Dbyangs Gsum: Tibetan Chant and Melodic Categories. 10/2: 112-156.
__________. Musical Flight in Tibet. 5/2: 3-44.
__________, with Dorje. "Explanation of the Secret Gcod Da Ma Ru": An Exploration of Musical Instrument Symbolism. 10/2: 63-91.
__________, trans. On Music (Sa skya Pandita). 10/2: 3-4.
__________, see book review (Kaufman).
__________, see book review (Nebesky).
Emsheimer, Ernst, trans. by Carroll. Earliest Reports About the Music of the Mongols. 18/1: 1-19.
Englis, Francisco, see record review.
Fang Kun, trans. by Pratt. A Discussion on Chinese National Musical Traditions. 12/2: 1-16.
Faruqi, Lois Ibsen al, see al Faruqi, Lois Ibsen.
Feldman, Walter. Cultural Authority and Authenticity in the Turkish Repertoire. 22/1: 73-113.
Ferguson, Daniel, see book review (Witzleben).
__________, with F. Ferguson., see book review (Shiliao).
Ferguson, Fransesca, with D. Ferguson., see book review (Shiliao).
Ferranti, Hugh de. Relations Between Music and Text in Higo Biwa: The Nagashi Pattern As A Text-Music System (Japan). 26/1: 149-174.
Fish, David, see book review (Markham).
Flam, Gila. Beracha Zephira - A Case Study of Acculturation in Israeli Song. 17/2: 108-125.
Flora, Reis. Miniature Paintings: Important Sources for Music History. 18/2: 196-230.
Forrest, Wayne. Concepts of Melodic Pattern in Contemporary Solonese Gamelan Music. 11/2: 53-127.
Friedlander, Paul. China’s "Newer Value" Pop: Rock-and-Roll and Technology on the New Long March. 22/2: 67-81.
Friedson, Steven M., see book review (Laderman and Roseman, eds.).
Frigyesi, Judit. Free Rhythm? 26/1: 212-214.
__________. Preliminary Thoughts Toward the Study of Music Without Clear Beat: The Example of "Flowing Rhythm" In Jewish Nusah.. 24/2: 59-88.
__________, see book review (Randel).
Fritsch, Ingrid. Report on the Third German-Japanese Symposium on Traditional Japanese Music in Cologne (l98l). 13/1: 144-146.
Garfias, Robert. Introduction (Kulintang/Kolintang). 27/2: 1-2.
__________. The Okinawan Kunkunhi Notation System and Its Role in the Dissemination of the Shuri Court Music Tradition. 25/1-2: 115-144.
__________. The Development of the Modern Burmese Hsaing Ensemble. 16/1:1-28.
__________. Looking to the Future of World Music. 14/1: 1-8.
__________. Preliminary Thoughts on Burmese Modes. 7/1: 39-49.
Gorn, Steven, see record review.
Grame, Theodore. The Symbolism of the ‘Ud. 3/1: 25-34.
Graves, Robert. George II and the Chinese Emperor. 1/1: 12-14.
Gray, Judith. Additional Comments Regarding Chinese Orchestras in the United States. 11/1: 41-43.
Groemer, Gerald. Edo’s "Tin Pan Alley": Authors and Publishers of Japanese Popular Song During the Tokgawa Period. 27/1: 1-36.
Hall, Leslie, see record review.
Hamm, Charles. Music and Radio in the People’s Republic of China. 22/2: 1-42.
Han, Kuo-Huang. Folk Songs of the Han Chinese: Characteristics and Classifications. 20/2: 107-128.
Hahn Man-young. Folk Songs of Korean Rural Life and Their Characteristics Based on the Rice Farming Songs. 9/2: 21-28.
Hai-Hsing Yao. The Relationship Between Percussive Music and the Movemnet of Actors in Peking Opera. 21/2: 39-70.
Han, Kuo-Huang. Short Contribution: J.A.van Aalst and His Chinese Music. 19/2: 127-130.
__________. The Modern Chinese Orchestra. 11/1: 1-40.
__________. The Chinese Concept of Program Music. 10/1: 17-38.
__________, see book review (Research Institute of Music, ed.).
__________, see book review (Sorrell).
__________, see book review (Yuan et al., ed.).
Hardgrave, Robert L. Jr, and Stephen M. Salwek. Instruments and Music Culture in Eighteenth Century India: The Slovyn Portraits. 20/1: 1-92.
Harnish, David. The Future Meets the Past in the Present: Music and Buddhism in Lombok. 25/1-2: 29-50.
__________, see book review (Tenzer).
__________, see book review (Arps, ed.).
__________, see record reviews.
__________, see film review (Miller et al.).
Harrison, Lou. A Birthday Offering (for Lee Hye-ku). 2/2: 14-17.
Hassan, Scheherazade Q. The Long Necked Lute in Iraq. 13/2: 1-18.
Hatch, Martin. The Song is Ended: Changes in the Use of Macapat in Central Java. 7/2: 59-71.
Hayashi, Kenzo. Restoration of a Panpipe in the Shosoin. 6/1-2: 15-27.
Heins, Ernst. Kroncong and Tanjidor--Two Cases of Urban Folk Music in Jakarta. 7/1: 20-32.
Helffer, Mireille. Reflexions Concernant Le Chant Epique Tibetain. 10/2: 92-111.
Hensler, Ewald, with Mayumi Adachi. Nineteenth-Century Japanese Hymnals: A Preliminary Study. 29/2: 115-127.
Henry, Edward O. Music in the Thinking of North Indian Villagers. 9/1: 1-12.
Herbst, Ed. Intransic Aesthetics in Balinese Artistic and Spiritual Practice. 13/1: 43-52.
Higgins, Jon B. Balasaraswati’s "Tisram Alarippu": the Musical Content. 18/2: 103-118.
__________. From Prince to Populace: Patronage as a Determinant of Change in South Indian (Karnatak) Music. 7/2: 20-26.
__________. An American in Madras. 1/1: 4-11.
__________, see record review.
__________, see film review.
Hirshberg, Jehoash. Musical Tradition as a Cohesive Force in a Community in Transition: the Case of the Karaites. 17/2: 46-68.
Ho Lu-Ting. On Chinese Scales and National Modes. 14/1: 132-154.
Hoerburger, Felix. Langhalslauten in Afghanistan. 6/1-2: 28-37.
Houyong, Gao. On Qupai. 20/2: 4-20.
Howard, Keith. Why Do It That Way? Rhythmic Models and Motifs in Korean Percussion Bands. 23/1: 1-60.
Huang Jinpei. Concerning the Variants of "Lao Lioban." 13/2: 19-30.
Hughes, David. Japanese "New Folk Songs," Old and New. 22/1: 1-51.
Hunter, Thomas M., see record review.
Hwang Byong-ki. Aesthetic Characteristics of Korean Music in Theory and in Practice. 9/2: 29-40.
Jackson, William. Features of the Kriti: A Song Form Developed by Tyagaraja. 24/1: 19-66.
__________, see book review (Howard).
Jairazbhoy, N. A. An Interpretation of the 22 Srutis. 6/1-2: 38-59.
__________, see film review (Miller et al.).
Jiang Jing. The Influence of Traditional Chinese Music on Professional Instrumental Composition. 22/2: 83-96.
Jinpei, Huang. Xipi and Erhuang of Beijing and Guangdong Operas. 20/2: 152-195.
Johnson, Henry M. A Koto by Any Other Name: Exploring Japanese Systems of Musical Instrument Classification. 28/1: 43-59.
Johnson, Irmgard. The Role of Amateur Participants in the Arts of No in Contemporary Japan. 13/2: 115-133.
Jones, Betty T. Kathakali Dance-Drama: an Historical Perspective. 18/2: 14-44.
Jones, L. JaFran, see book review (Ministere)
__________, see book review (Mahdi).
__________, see book review (Qureshi).
__________, see film review.
__________, see film review (Miller et al.).
Jones, Stephen. The Golden-Character Scripture: Perspectives on Chinese Melody. 20/2: 21-66.
Kakinoki, Goro. A Comparative Method on Japanese Melodic Styles in Structural Formulae. 6/1-2: 60-87.
Kalanduyan, Danongan. Instruments, Instrumentation, and Social Context of Maguidanaon Kulintang Music. 27/2: 3-18.
Karomatov, Faizullah, trans. by Djijiak, Levin, Slobin. Uzbek Instrumental Music. 15/1: 11-53.
__________. On the Regional Styles of Uzbek Music. 4/1: 48-58.
__________, with Radjabov. Introduction to the Sasmaqam. 13/1: 97-118.
Kartomi, Margaret J. The Music-Culture of South-Coast West Sumatra: Backwater of the Minangkabau "Heartland" or Home of the Sacred Mermaid and the Earth Goddess? 30/1: 133-181.
__________. Dualism in Unity: The Ceremonial Music of the Mandailing Raja Tradition. 12/2: 74-108.
__________, see book review (Miller).
Kelsey, John R., see record review.
Kippen, Jim, see record review.
Kishibe, Shigeo. Means of Preservation and Diffusion of Traditional Music in Japan. 2/1: 8-13.
Knight, Roderic, see record reviews.
Knobloch, Yohana, trans. A Discussion of the History of the Gu Zheng (Zheng). 14/2: 1-16.
Kostrubieck, Beniamin, with Zeranska-Kominek, Wierzejewska. Universal Symbols in the Bukharan Shasmaqam. 14/1: 74-93.
Krishnaswami, S. Musical Instruments of India. 2/2: 31-42.
Kuttner, Fritz A. The 749-Temperament of Huai Nan Tzu. 6/1-2: 88-112.
__________. The Development of the Concept of Music in China’s Early History. 1/2: 12-21.
__________, with Lieberman. Corrigendum and Addendum to Biography and Bibliography of Dr. Laurence E.R. Picken in Perspectives on Asian Music. 7/2: 103-104.
__________, with Lieberman. Preface and List of Laurence E.R. Picken’s Writings on Oriental Music. 6/1-2: Preface.
Laade, Wolfgang. The Influence of Buddhism on the Singhalese Music of Sri Lanka. 25/1-2: 51-68.
__________, see book review (Lucas).
Lai, Eric. Toward A Theory of Pitch Organization: The Early Music of Chou Wen-Chung. 25/1-2: 177-207.
Lancashire, Terence. Music for the Gods: Musical Transmission and Change in Iwami Kagura. 29/1: 87-123.
Lau, Frederick. Individuality and Political Discourse in Solo Dizi Compositions. 27/1: 133-152.
Lee Byong-won, see book review (National Academy).
Lee, Elsa. An Introduction to the Gushi Drummer of the Chuanju Percussion Ensemble. 28/2: 1-26.
Lee Hye-Ku. Quintuple Meter in Korean Instrumental Music. 13/1: 119-129.
__________. The Yukcha-Paegi. 2/2: 18-30.
Lee Kang-sook. An Essay on Korean Modes. 9/2: 41-47.
Lee, Riley Kelly. Fu Ho U vs. Do Re Mi: The Technology of Notation Systems and Implications of Change in the Shakuhachi Tradition of Japan. 19/2: 71-81.
Levin, Theodore C. Music in Modern Uzbekistan: The Convergence of Marxist Aesthetics and Central Asian Tradition. 12/1: 149-158.
__________, trans. with Djijiak, Slobin. Uzbek Instrumental Music (Karomatov). 15/1: 11-53.
Lhalungpa, Lobsang P. Tibetan Music: Secular and Sacred. 1/2: 2-11.
Li Mei-Ling, see book review (Wichmann).
Li Ping-hui, see record review.
Liang Ming-Yueh. A Study of Tiao-i, "The Meaning of the Mode." 6/1-2: 173-188.
Lieberman, Fredric. Texted Tunes in the Mei-an Ch’in-P’u. 6/1-2: 113-146.
__________. Addenda to Chinese Music Bibliography. 5/1: 56-85.
__________. Music in The Tale of Genji. 2/1: 39-42.
__________. Robert Hans Van Gulik: A Bibliography. 1/1: 23-30.
__________, with Kuttner. Corrigendum and Addendum to Biography and Bibliography of Dr. Laurence E.R. Picken in Perspective on Asian Music. 7/2: 103-104.
__________, with Kuttner. Preface and List of Laurence E.R. Picken’s Writings on Oriental Music. 6/1-2: Preface.
__________, see book review (Ch’en).
__________, see book review (Giesen).
__________, see book review (Kaufman).
__________, see book review (Shih).
Liu, Terry, see book review (Moule).
Lockard, Craig A. Popular Musics and Politics in Modern Southeast Asia: A Comparative Analysis. 27/2: 149-199.
Loeb, Laurence D. The Jewish Musician and the Music of Fars. 4/1: 3-14.
Lu Guang, see record review.
__________, see film reviews (Miller et al.).
Lysloff, René T. A., see book review (Kant-Achilles et al.).
Mabbett, Ian W. Buddhism and Music. 25/1-2: 9-28.
Maceda, Jose. Review Essay: Biopolarity, Ki Mantle Hood’s Trilogy, Four Counts, and the Fifth Interval. 21/2: 135-146.
___________. Means of Preservation and Diffusion of Traditional Music: The Philippine Situation. 2/1: 14-17.
Mackerras, Colin. Traditional Uygur Performing Arts. 16/1: 29-58.
Macrae, Craig, see book review (Levin).
Magriel, Nicolas. The Barhat Tree. 28/2: 109-133.
Malm, William P. Yamada Shôtarô: Japan’s First Shamisen Professor. 30/1: 35-76.
__________. Chinese Music in 19th century Japan. 6/1-2: 147-172.
__________. Layers of Modern Music and Japan. 4/2: 3-6.
__________. Personal Approaches to the Study of Japanese Art Music. 3/1: 35-39.
__________, see book review (Leiter).
Manuel, Peter. Music, Identity, and Images of India in the Indo-Caribbean Diaspora. 29/1: 17-35.
__________. Popular Music and Media Culture in South Asia: Prefatory Considerations. 24/1: 91-100.
__________. A Historical Survey of the Urdu Gazal-Song in India. 20/1: 93-113.
__________, with Baier. Jaipongan: Indigenous Popular Music of West Java. 18/1: 91-110.
__________, see book review (Van Der Meer).
__________, see book review (Hansen).
__________, see film review.
Mantey, Daniel, see record review.
Mao Yu Run. Music Under Mao, Its Background and Aftermath. 22/2: 97-125.
Marcus, Scott. Parody-Generated Texts: The Process of Composition in Biraha, A North Indian Folk Music Genre (India). 26/1: 95-148.
___________. The Interface Between Theory and Practice: Intonation in Arab Music. 24/2: 39-58.
___________. Recycling Indian Film Songs: Popular Music as a Source of Melodies For North Indian Folk Musicians. 24/1: 101-110.
___________, and Dwight F. Reynolds. Introduction: Musical Narrative Traditions of Asia. 26/1: 1-8.
___________, see book review (Miner).
Maring, Joel M., with Lillian E. Maring. Japanese Erotic Folksong: From Shunka to Karaoke. 28/2: 27-49.
Maring, Lillian E., with Joel M. Maring. Japanese Erotic Folksong: From Shunka to Karaoke. 28/2: 27-49.
Mark, Lindy Li, see book review (Lieberman).
Markoff, Irene. The Ideology of Musical Practice and the Professional Turkish Folk Musician: Tempering the Creative Impulse. 22/1: 129-145.
Marrett, Allan, with Wolpert, Condit, Picken. "The Waves of Kokonor": A Dance-Tune of the T’ang Dynasty. 5/1: 3-9.
Matusky, Patricia. An Introduction to the Major Instruments and Forms of Traditional Malay Music. 16/2: 121-182.
___________, see book review (Tan Sooi Beng).
Matusky-Yamaguchi, Patricia, see film review (Miller et al.).
McNeil, Adrian. Why Hindustani Musicians are Good Cooks: Analogies Between Music and Food in North India. 25/1-2: 69-80.
Meyers, Helen, see book review (Jairazbhoy).
Meyers-Moro, Pamela. Names and Civil Service Titles of Siamese Musicians. 19/2: 82-90.
Miller, Lloyd, see book review (Nettl).
Miller, Sara Stone, see book review (Asselineau et al.).
Miller, Terry E. Reconstructing Siamese Musical History from Historical Sources: 1548-1932. 15/2: 32-42.
__________, et al. Review Essay: The JVC Video Anthology of World Music and Dance. 24/2: 111-188.
__________, see book review (Randel).
__________, see record reviews.
Miner, Allyn, see book review (Hamilton).
Mok, Robert T. Ancient Musical Instruments ... from the Number One Han Tomb at Ma Wang Tui, Changsa: Translation and Commentary. Addenda. 10/1: 39-91.
Morrison, Miriam. The Expression of Emotion in Court Dances of Yogjakarta. 7/1: 33-38.
Moskovich, Rina K. The Role of Music in the Liturgy of Emigrant Jews from Bombay: the Morning Prayer for the Three Festivals. 17/2: 88-107.
Mràzek, Jan, see book review (Sumarsam).
Naroditskaya, Inna, see record reviews.
Nettl, Bruno, A Tale of Two Cities. 15/2: 1-10.
__________. Musical Values and Social Values: Symbols in Iran. 12/1: 129-148.
__________, with Babiracki. Internal Interrelationships in Persian Classical Music: The Dastgah of Shur in Eighteen Radifs. 19/1: 46-98.
__________, with Shiloah. Persian Classical Music in Israel: a Preliminary Report. 17/2: 69-87.
__________, see book review (Blum).
Neubauer, Eckard, see book review (Engel).
Neuman, Daniel. Indian Music as a Cultural System. 17/1: 98-113.
__________, Towards an Ethnomusicology of Culture Change in Asia. 7/2: 1-5.
__________, see book review (Sorell).
__________, see book review (Narayan).
__________, see record review.
Nguyen, Thuyet Phong. Restructuring the Fixed Pitches of the Vietnamese Dan Nguyet Lute: a Modification Necessitated by the Modal System. 18/1: 56-70.
__________, see book review (Tran).
__________, see book review (Ateliers d’ethnomusicologie).
__________, see film review (Miller et al.).
Niemi, Jarkko. The Genres of the Nenets Songs. 30/1: 77-132.
Nurjanov, Nizam. Tajik Folk Theater and Puppetry. 8/1: 65-77.
O’Connell, John, see book review (Touma).
Okell, John. The Burmese Double-Reed "Nhai." 2/1: 25-31.
Olsen, Dale A. Japanese Music in Peru. 11/2: 41-52.
__________. Japanese Music in Brazil. 14/1: 111-131.
Otto, Steven. Repertorial Nomenclature in Muranao Kolintang Music. 27/2: 123-130.
Owens, Naomi. The Dagar Gharana: a Case Study of Performing Artists. 18/2: 158-195.
Pacholczyk, Józef. The Status of Sufyana Kalam in Kashmir. 12/1: 159-163.
__________, see film review (Miller et al.).
__________. Sufyana Kalam, the Classical Music of Kashmir. 10/1: 1-16.
Peng Xiuwen. Chuida Music of Sunan. 13/2: 31-38.
Pennanen, Risto Pekka. Review Essay: A Recent Reissue of Rebitika Recordings. 26/2: 137-142.
__________. The God-Praising Drums of Sarajevo. 25/1-2: 1-8.
Perlman, Marc. Conflicting Interpretations: Indigenous Analysis and Historical Change in Central Javanese Music. 28/1: 115-140.
__________. Notes on "A Grammar of the Musical Genre Srepegan." 14/1: 17-29.
__________, see record review.
Pertl, Brian. Some Observations on the Dung Chen of the Nechung Monastery. 23/2: 71-89.
Petrovic, Ankica. Paradoxes of Muslim Music in Boznia and Herzegovina. 20/1: 128-138.
Pettigrew, Joyce. Songs of the Sikh Resistance Movement. 23/1: 85-118.
Pian, Rulan Chao, see book review (Liang)
Picken, Laurence, with Condit, Marret, Wolpert. "The Waves of Kokonor": A Dance-Tune of the T’ang Dynasty. 5/1: 3-9.
Pinckney, Warren R. Jr. Jazz in India: Perspectives on Historical Development and Musical Acculturation. 21/1: 35-77
Poedjosoedarmo, Gloria. A Phonetic Description of Voice Quality in Javanese Traditional Female Vocalists. 19/2: 93-126.
Posner, Karen. A Preliminary Analysis of Maguindanaon Kulintang Music. 27/2: 19-32.
Powers, Harold S. Symposium on the Status of Traditional Art Musics in Muslim Nations: Background, Acknowledgments, and Contributions. 12/1: 1-4.
__________. Classical Music, Cultural Roots, and Colonial Rule: An Indic Musicologist Looks at the Muslim World. 12/1: 5-39.
Pratt, Keith, trans. A Discussion on Chinese National Musical Traditions (Fang Kun). 12/2: 1-16.
Prescott, Anne, see film review.
Provine, Robert C. Who’s in Charge Here?: The Musical Bureaucract in the Early Yi Dynasty Court (1392-1466). 9/2: 48-58.
__________, see record review.
Qureshi, Regula B. "Muslim Devotional":Popular Religious Music and Muslim Identity Under British, Indian, and Pakastani Hegemony. 24/1: 111-121.
__________. Qawwali: Making the Music Happen in the Sufi Assembly. 18/2: 118-157.
__________. Indo-Muslim Religious Music, An Overview. 3/2: 15-22.
Racy, Ali Jihad. Music and Dance in Lebanese Folk Proverbs. 17/1: 83-97.
__________. Music in Contemporary Cairo: A Comparative Overview. 13/1: 4-26.
Ramnarine, Tina K. Historical Representations, Performance Spaces, and Kinship Themes in Indian-Caribbean Popular Song Texts. 30/1: 1-33.
Rasmussen, Anne. "An Evening in the Orient": The Middle Eastern Nightclub in America. 23/2: 3-70.
Read, Cathleen B., see book review (Wade).
Rebollo-Sborgi, Francesca. The Musicality of Oral Performance: The Case Study of Tianjin Shidiao and the Musical Expression of Urban Identity (China). 26/1: 9-52.
Reck, Carol S., with D. Reck. Drums of India: A Pictorial Selection. 13/2: 39-54.
__________, with D. Reck. Naga Kalam: A Musical Trance Ceremonial of Kerala (India). 13/1: 85-96.
Reck, David R. Beatles Orientalis: Influences from Asia in a Popular Song Tradition. 16/1: 83-149.
__________. The Music of Matha Chhau. 3/2: 8-14.
__________, with C. Reck. Drums of India: A Pictorial Selection. 13/2: 39-54.
__________, with Carol S. Reck. Naga Kalam: A Musical Trance Ceremonial of Kerala (India). 13/1: 85-96.
Rees, Helen. The Many Musics of a Chinese County Town: A Case-Study of Co-Existance in Lijiang, Yunnan Province. 27/1: 63-102.
__________, see book review (Picard).
Reinhard, Kurt. Bemerkungen zu den Asik, den Volkssngern der Trkei. 6/1-2: 189-206.
Reynolds, Dwight F. Musical Dimensions of An Arabic Oral Epic Tradition (Egypt). 26/1: 53-94.
__________, see book review (Danielson).
Rhodes, Willard, see film review.
Ries, Raymond E. The Cultural Setting of South Indian Music. 1/2: 22-31.
Roach, David. The Banaras Baj--The Tabla Tradition of a North Indian City. 3/2: 29-41.
Robertson, Sir George S. Festivals and Dancing Among the "Kafirs of the Hindu Kush." 8/1: 78-93.
Ross, Israel J. Ritual and Music in South India: Syrian Christian Liturgical Music in Kerala. 11/1: 80-98.
Ross, Thomas. Forgotten Patterns: Mirkhand and Amir Khan. 24/2: 89-110.
Rowell, Lewis. A Siksa for the Twiceborn. 9/1: 72-94.
Rubenstein, Carol. The Cultural Show: Is It Culture or What and For Whom? 23/2: 1-2.
__________. "So Unable Am I...": Sarawak Dayaks and Forms of Social Address in Song. 21/2: 1-38.
Ruckert, George, see book review (Gottlieb).
__________, see book review (Slawek).
Sa skya Pandita. On Music. 10/2: 3-4.
__________. Why Study Music? 10/2: 157-158.
Sakata, Hiromi L. Musicians Who Do Not Perform; Performers Who Are Not Musicians: Indigenous Concepts of Being an Afghan Musician. 17/1: 132-141.
__________. The Concept of Musician in Three Persian-Speaking Areas of Afghanistan. 8/1: 1-28.
__________, see record reviews.
Sam Sam Ang, see record reviews.
__________, see film review (Miller et al.).
Samuelson, Ralph, see record review.
Sanger, Annette, see record review.
Sarkissian, Margaret. "Sinhalese Girl" Meets "Aunty Annie": Competing Expressions of Ethnic Identity in the Portuguese Settlement, Melaka, Malaysia. 27/1: 37-62.
__________, see book review (Roseman).
Sawa, George D. The Status and Roles of the Secular Musicians in the Kitab Al-Aghani (Book of Songs) of Abu Al-Faraj Al-Isbahani (D. 356 A.H./967 A.D.). 17/1: 69-82.
__________, see book review (Randel).
Schramm, Adelaida R., see book review (Pfeiffer).
__________, see recording review.
__________, see film review (Miller et al.).
Schramm, Harold. Musical Theatre in India. 1/1: 31-40.
Schuyler, Philip D. Music and Tradition in Yemen. 22/1: 51-73.
__________. Introduction from the Guest Editor. 17/1: 1-2.
__________. The Rwais and the Zawia: Professional Musicians and the Rural Religious Elite in Southwestern Morocco. 17/1: 114-131.
__________, see book review (Baily).
__________, see book review (Stone, ed.)
__________, see record review.
Scholz, Scott. The Supportive Instruments of the Maguindanaon Kulintang Ensemble. 27/2: 33-52.
Scott, A.C. Reflections on the Aesthetic Background of the Performing Arts of East Asia. 6/1-2: 207-216.
Seroussi, Edwin. Politics, Ethnic Identity, and Music in Israel: the Case of the Moroccan Bakkashot. 17/2: 32-45.
Shapiro, Toni, see film review.
Sharvit, Uri. Diversity Within Unity: Stylistic Change and Ethnic Continuity in Israeli Religious Music. 17/2: 126-146.
__________, with Benski, Braun. Towards a Study of Israeli Urban Musical Culture: the Case of Kiryat Ono. 17/2: 168-209.
Sheeran, Anne, see record review.
Shiloah, Amnon. The Status of Traditional Art Music in Muslim Nations. 12/1: 40-55.
__________. An Early Arabic Songbook for Schools. 11/1: 44-58.
__________. The Simsimiyya: A Stringed Instrument of the Red Sea Area. 4/1: 15-26.
__________, with Nettl. Persian Classical Music in Israel: a Preliminary Report. 17/2: 69-87.
Signell, Karl. Turkey’s Classical Music, A Class Symbol. 12/1: 164-169.
__________. Esthetics of Improvisation in Turkish Art Music. 5/2: 45-49.
__________. The Modernization Process in Two Oriental Music Cultures: Turkish and Japanese. 7/2: 72-102.
__________, see record review.
Silver, Brian. On Becoming an Ustad: Six Life Sketches in the Evolution of a Gharana. 7/2: 27-50.
Simms, Robert. Aspects of Cosmological Symbolism in Hindusthani Musical Forms. 24/1: 67-90.
Simon, Artur. Functional Changes in Batak Traditional Music and its Role in Modern Indonesian Society. 15/2: 58-66.
Simon, Robert L. Tyagaraja and the South Indian Bhajana Sampradaya. 20/1: 114-127.
Skelton, William. The Nagaswaram and the South Indian Hindu Festival. 2/1: 18-24.
Slobin, Mark. Buz-bazi: Conversations in Tashkent. 2/2: 7-13.
__________. A Musical Marionette of Northern Afghanistan. 6/1-2: 217-224.
__________, with Bohlman. Music in the Ethnic Communities of Israel: Introduction. 17/2: 1-8.
__________, trans. Tuvin Folk Music (Aksenov). 4/2: 7-18.
__________, trans. with Levin, Djijiak. Uzbek Instrumental Music (Karomatov). 15/1: 11-53.
__________, see book review (Sakata).
__________, see book review (Hoerburger).
__________, see book review (Doubleday).
__________, see record reviews.
Smith, Barbara B. Chinese Music in Hawaii. 6/1-2: 225-230.
__________, see book review (Sadie, ed.).
Snyder, Jeanette. A Preliminary Study of the Lha Mo. 10/2: 23-62.
__________, see record reviews.
Song Bang-Song. Korean Music: An Annotated Bibliography (2nd Supplement). 9/2: 65-112.
__________, intro. and trans. Ritual Tradition of Korea (ed. Chong In-ji). 8/2: 26-46.
__________, with Chen and Tsuge. Source Readings in Asian Music: East Asia. 8/2: 1-3.
Sonneborn, Daniel Atesh, see record review.
Sorrell, Neil. The Encyclopaedia of Music and Dance in India: A Report on the Project from Bombay. 3/2: 52-54.
Spector, Johanna. Shingli Tunes of the Cochin Jews. 3/2: 23-28.
Spiller, Henry, see record review.
Steel, David Warren, see book review (DeVale, ed.).
Stevens, Kate. City of Peking Ballad Troupe: 1973. 5/1: 24-27.
Stock, Jonathan. Reconsidering The Past: Ahou Xuan and the Rehabilitation of Early Twentieth-Century Popular Music. 26/2: 119-136.
__________. Three Erhu Pieces by Abing: An Analysis of Improvisational Processes in Chinese Traditional Instrumental Music. 25/1-2: 145-176.
__________, see book review (Schimmelpenninck).
__________, see book review (Yung, ed.).
Suanda, Endo. Cirebonese Topeng and Wayang of the Present Day. 16/2: 84-120.
__________. The Social Context of Cirebonese Performing Artists. 13/1: 27-42.
__________, see record review.
Subramanian, Karaikudi S. An Introduction to the Vina. 16/2: 7-82.
Sumarsam. Gendhing Kalunta: A Historical Metaphor? 15/2: 43-57.
__________. The Musical Practice of the Gamelan Sekaten. 12/2: 54-73.
__________. Inner Melody in Javanese Gamelan Music. 7/1: 3-13.
__________, see record reviews.
Susilo, Hardjo, see book review (Kunst).
__________, see book review (Brinner).
Sutton, R. Anderson. From Ritual Enactment to Stage Entertainment: Andi Nurhani Sapada and the Aestheticization of South Sula Wesi’s Music and Dance 1940s-1970s. 29/2: 1-30.
__________. Korean Music In Hawaii. 19/1: 99-120.
__________. Concept and Treatment in Javanese Gamelan Music, with Reference to the Gambang. 11/1: 59-79.
__________, see record review.
Su Zheng, see book review (Casey Man Kong Lum).
Swift, Gordon. South Indian Gamaka and the Violin. 21/2: 71-89.
Tan Sooi Beng. The 78 RPM Record Industry in Malaya Prior to World War II. 28/1: 1-41.
__________. The Performing Arts in Malaysia: State and Society. 21/1: 137-171.
__________. The Glove Puppet Theater (Po Te Hi) in Malaysia. 13/1: 53-72.
Tanzug, Feza, see record review.
Tapper, Richard. Peasant’s Pilgrimage: a Ballad from Afghan Turkistan. 18/1: 20-34.
Tenzer, Michael, see book review (Ryker, ed.)
Terada, Yoshitaka. Varational and Improvisational Techniques Gandingan Playing in the Magindanaon Kulintang Ensemble 27/2: 53-80.
Tethong, Rakra. Conversations on Tibetan Music Traditions. 10/2: 5-22.
Tewari, Laxmi. Turkish Village Music. 3/1: 10-24.
__________, see book review (Patel).
Thomas, Dwight W. Lou Harrison’s Double Concerto for Gamelan, Violin and Cello: Juxtaposition of Individual and Cultural Expectations. 15/1: 90-102.
Thompson, Gordon R. The Barots of Gujrati-Speaking Western India: Musicianship and Caste Identity. 24/1: 1-18.
__________, see record review.
__________, see book review (Sakata).
Thrasher, Alan R. Announcement. Introducing the Asia-Pacific Society for Ethnomusicology. 28/1: 151.
__________. The Melodic Model as a Structural Device: Chinese Zheng and Japanese Koto Repertoires Compared. 26/2: 97-118.
__________. Introduction to the Issue. 20/2: 1-3.
__________. Structural Continuity in Chinese Sizhu: The Baban Model. 20/2: 67-106.
__________. Hakka-Chaozhou Instrumental Repertoire: An Analytic Perspective on Traditional Creativity. 19/2: 1-30.
__________. The Sociology of Chinese Music: An Introduction. 12/2: 17-53.
__________. The Transverse Flute in Traditional Chinese Music. 10/1: 92-114.
__________, see book review (Yung).
Tingey, Carol. Sacred Kettledrums in the Temples of Central Nepal. 23/2: 90-104.
Tong Kin-Woon. Shang Musical Instruments (Part 1). 15/1: 103-184.
__________. Shang Musical Instruments (Part 2). 15/2: 67-143.
Trainor, John. Significance and Development in the Vong Co of South Vietnam. 7/1: 50-57.
Tran Quang Hai, see record review.
Tran Van Khe. Means of Preservation and Diffusion of Traditional Music in Vietnam. 3/1: 40-44.
Tsao, Pen-yeh. Structural Elements In The Music of Chinese Story-Telling. 20/2: 129-151.
Tsong kha pa. Meditative Realization of the Melodious Goddess. 10/2: 1-2.
Tsuge, Gen’ichi. Letter to the Editor: An Article Clarification. 13/1: 143.
__________. Symbolic Techniques in Japanese Koto-Kumiuta. 12/2: 109-132.
__________, intro. and trans. The History of the Kyotaku (compiled by Yamamoto Morihide). 8/2: 47-63.
__________. A Note on the Iraqi Maqam. 4/1: 59-66.
__________, with Chen and Song. Source Readings in Asian Music: East Asia. 8/2: 1-3.
__________, see book review (Wolz).
__________, see book review (Zonis)
__________, see book review (Hassan).
__________, see record review.
Tuttle, T. Temple, see book review (Kumar and Stackhouse).
Van Zile, Judy. Balasaraswati’s "Tisram Alarippu": a Choreographic Analysis. 18/2: 45-102.
__________, see book review (Clifford and Betty Jones).
Vetter, Roger, see book review (Kunst).
__________, see book review (Becker, ed.).
Viswanathan, T. In Memory of Jon Borthwick Higgins. 16/2: 1-6.
__________. The Analysis of Raga Alapana in South Indian Music. 9/1: 13/71.
__________, see book review (Wade).
__________, see book review (Kaufman).
Wade, Bonnie C. By Invitation Only: Field Work in Village India. 3/2: 3-7.
Wadley, Susan S., see book review (Henry).
Warkov, Esther. Revitalization of Iraqi-Jewish Instrumental Traditions in Israel: The Persistent Centrality of an Outsider Tradition. 17/2: 9-31.
__________, see record review (Taqasim).
Waxer, Lise, see book review (Hansen).
Wei-hua Zhang. Fred Wei-Han Ho: Case Study of A Chinese- American Creative Musician. 25/1-2: 81-114.
__________. Music in Ming Daily Life, As Portrayed in the Narrative Jin Ping Mei. 23/2: 105-134.
Weintraub, Andrew N. Tune, Text, and the Function of Lagu in Pantun Sunda, A Sundanese Oral Narrative Tradition (Indonesia). 26/1: 175-211.
__________, see record review.
Wells, Marnix St. J. Rhythm and Phrasing In Chinese Tune-Title Lyrics; Old Eight-Beat and Its 3-2-3 Meter. 23/1:119-183.
Wendt, Caroline, see record review.
Widdess, Richard, see book review (Ahmad)
__________, see book review (Wade).
Wierzejewska, Joanna, with Zeranska-Kominek, Kostrubiec. Universal Symbols in the Bukharan Shasmaqam. 14/1: 74-93.
Williams, Sean. Current Developments in Sundanese Popular Music. 21/1: 105-136.
__________, see record review.
__________, see film review.
Witzleben, J. Lawrence, see film review (Miller et al.).
Wolbers, Paul A. Gandrung and Angklung from Banyuwangi; Remnants of a Past Shared with Bali. 18/1: 71-90.
Wolf, Richard, see record review.
Wolpert, Rembrandt., with Condit, Marrett, Picken. "The Waves of Kokonor": A Dance-Tune of the T’ang Dynasty. 5/1: 3-9.
Wong, Cynthia Po-man, see record reviews.
Wong, Deborah. Thai Cassettes and Their Convers: Two Case Histories. 21/1: 78-104.
__________, see book review (Panya).
__________, see book review (Catlin, ed.).
Wong, Isabel, trans. A Preliminary Study of "Three Variations on Yang Kwan," An Ancient Song (Yan Yin-Liu). 5/1: 10-23.
Wrazen, Louise. The Early History of the Vina and Bin in South and Southeast Asia. 18/1: 35-55.
Wu, Ben. Music Scholarship, West and East: Tibetan Music as a Case Study. 29/2: 31-56.
Yamamoto Morihide, trans. by Tsuge. The History of the Kyotaku. 8/2: 47-63.
Yan Yin Liu., trans. by I. Wong. A Preliminary Study of "The Three Variations of Yang Kwan," An Ancient Song. 5/1: 10-23.
Yang, Mu. Music Loss Among Ethnic Minorities in China: A Comparison of the Lia dn Hui Peoples. 27/1: 103-132.
Yeh, Nora. Nanguan Music Repertoire: Categories, Notation, and Performance Practice. 19/2: 31-70.
__________, see book review (Lu Cui-kuan).
Yip Ming-mei, see book review (Hsu and Cheng).
__________, see book review (Boormaghtigh, ed. and trans.).
__________, see record review.
Yung, Bell, see book review (Lieberman).
Zeranska-Kominek, Slawomira. The Classification of Repertorie in Turkmen Traditional Music. 21/2: 90-109.
__________, with Kostrubiec and Wierzejewska. Universal Symbols in the Bukharan Shasmaqam. 14/1: 74-93.
Ziporyn, Evan, see book review (Von Gunden).
__________, see record reviews.
Zonis, Ella, see book review (Nettl).

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03 January, 2000