Journal of the Society for Asian Music
ASIAN MUSIC
  VOLUMES I-XXX
Index
  Part 3: Subjects of Articles J-K
jaipongan 18/1 (Manuel and Baier)
jaltarang 20/1 (Hardgrave & Slavek)
Japan Edo period 27/1 (Groemer)
folk melody, regional styles 6/1-2 (Kakinoki)
Higo biwa, Nagashi pattern in 26/1 (Ferranti)
music and drama, amateur recitals 13/2 (Johnson)
nomai, musical and spiritual syncretism of 28/2 (Asai)
puppetry, kudoki 27/1 (Groemer)
Ryo schools 25/1-2 (Garfias)
Tokugawa period 27/1 (Groemer)
Japanese compositional principles 11/2 (Burnett)
Japanese dance 27/1 (Groemer)
Japanese expatriate music
  • in Brazil 14/1 (Olsen)
  • in Hawaii 15/1 (Sutton)
  • in Peru 11/2 (Olsen)
  • Japanese modes 6/1-2 (Kakinoki)
    Japanese music art music, contemporary 7/2 (Signell); 4/2 (Malm)
    chamber music (tegotomono) 11/2 (Burnett)
    Chinese influences in 6/1-2 (Malm)
    didactic 4/2 (Malm)
    erotic folk songs 28/2 (Maring and Maring)
    folk music, revival of 4/2 (Malm)
  • min’yo 22/1 (Hughes)
  • shin-min’yo 22/1 (Hughes)
  • Taisho democracy 22/1 (Hughes)
  • Hakushu, Kitahara 22/1 (Hughes)
  • Odori 22/1 (Hughes)
  • Ondo 22/1 (Hughes)
  • history 6/1-2 (Malm)
    Iwami kagura 29/1 (Lancashire)
    modernization and 7/2 (Signell); 4/2 (Malm)
    "non-musical" sounds in 12/2 (Tsuge)
    Okinawan Kunkunshi 25/1-2 (Garfias)
    Shuri Court music 25/1-2 (Garfias)
    theory of 3/1 (Malm); 12/2 (Burnett)
    Tokugawa period 27/1 (Groemer)
    traditional, preservation of 2/1 (Kishibe)
    Japanese musical aesthetics 11/2 (Burnett)
    Japanese musical instruments 6/1-2 (Malm); 8/2 (Tsuge); 14/1 (Olsen)
    koto 26/2 (Thrasher); 28/1 (Johnson)
    mentioned in the Tale of Genji 2/1 (Lieberman)
    shamisen 22/1 (Hughes)
    Japanese musical notation 1/2 (Berger); 3/1 (Malm); 19/2 (Lee)
    Japanese No drama 13/2 (Johnson)
    Japanese performing arts training in 13/2 (Johnson)
    Japanese repertoire, koto compared to Chinese Zheng 26/2 (Thrasher)
    Java, see also gamelan, Indonesia
    art music, teaching and preservation of 12/1 (Powers)
    historical ethnography of music theory 28/1 (Perlman)
    music and cultural change 7/2 (Hatch); 12/1 (Powers)
    pathet 28/1 (Perlman)
    patronage of music 7/2 (Hatch); 12/1 (Powers)
    social dance 18/1 (Manuel and Baier); 18/1 (Wolbers)
    theater and dance 7/1 (Morrison); 21/1 (Brinner)
    Javanese music similarities with Balinese music 18/1 (Wolbers)
    sociocultural context 15/2 (Sumarsam)
    vocal style 19/2 (Poedjosoedarmo)
    contemporary uses and adaptations of 7/2 (Hatch)
    Jazz Yatra 21/1 (Pinckney)
    Jewish music 24/2 (Frigyesi)
    Jewish Nusah 24/2 (Frigyesi)
    Jews Baghdad (Iraq), music 17/2 (Warkov)
    Bombay (India), music of 17/2 (Moskovich)
    Cochin (India), music of 3/2 (Spector)
    Fars (Iran), music of 4/1 (Loeb)
    Kerala (India), rituals of 11/1 (Ross)
    Moroccan, liturgical music 17/2 (Seroussi)
    jhanjhari 20/1 (Hardgrave & Slavek)
    jianpu notation system 20/2 (Thrasher)
    Jin Ping Mei 23/2 (Wei-hua Zhang)
    joget 18/1 (Chopyak)


    K’un-Ch’u singing 8/2 (Chen Fu-yen)
    Kabbalistic liturgical music 17/2 (Seroussi)
    Kafir tribe, festivals 8/1 (Robertson)
    kagura 29/1 (Lancashire)
    kansar 20/1 (Hardgrave & Slavek)
    karah 20/1 (Hardgrave & Slavek)
    Karaite Jews Israel, music of 17/2 (Hirshberg)
    United States, music of 17/2 (Hirshberg)
    Karnatak see also India, South India
    Karnatak concerts 1/1 (Higgins); 7/2 (Higgins)
    Karnatak music and the individual 18/2 (Wade)
    Karnatak music composers 1/1 (Higgins); 3/2 (Benary)
    devotional aspects 1/2 (Ries); 3/2 (Benary)
    for dance 18/2 (Higgins)
    history 1/2 (Ries)
    improvisation in 9/1 (Viswanathan)
    influence of the bhakti movement 1/2 (Ries); 3/2 (Benary)
    influences of caste 3/2 (Benary)
    Madras 15/2 (Nettl)
    modern, influence of broadcast media on 7/2 (Higgins)
    ornamentation (gamakas) 9/1 (Viswanathan); 21/2 (Swift)
    patronage of 3/2 (Benary); 7/2 (Higgins)
    sociocultural context 17/1 (Neuman)
    svaras 9/1 (Viswanathan)
    urbanization and 15/2 (Nettl)
    Western classical music and 15/2 (Nettl)
    Karnatak musicians training of 1/1 (Higgins); 1/2 (Ries); 3/2 (Benary); 9/1 (Viswanathan)
    kartal 20/1 (Hardgrave & Slavek)
    kasa 9/2 (Condit)
    Kashmir classical music 10/1 (Pacholczyk); 12/1 (Pacholczyk)
    history 10/1 (Pacholczyk)
    kathakali dance-drama 18/2 (Jones)
    Kerala (India) ethnic minority music in 11/1 (Ross)
    musical trance ceremony 13/1 (Reck)
    Kathakali dance-drama 18/2 (Jones)
    Kettledrums use in Nepali music 23/2 (Tingey)
    ketuk tilu 18/1 (Manuel and Baier)
    Khan, Amir 24/2 (Ross)
    Khan, Niaz Ahmed 28/2 (Magriel)
    khanjari 20/1 (Hardgrave & Slavek)
    khanjira 2/2 (Krishnaswami)
    khayal 17/1 (Neuman)
    khol 20/1 (Hardgrave & Slavek)
    Khwarizm region, music 4/1 (Karamatov)
    Koran recitation 19/1 (al Faruqi); 19/1 (Danielson)
    Korea, Yi dynasty court music bureaucracy 9/2 (Provine)
    Korean aesthetics 9/2 (Hwang Byong-ki)
    Korean court music 9/2 (Condit)
    Korean farming work songs 9/2 (Hahn Man-young)
    Korean folk song (Yukcha-paegi or Nukza-baegi) 2/2 (Lee Hye-ku)
    Korean music in Hawaii 19/1 (Sutton)
    Korean music theory 9/2 (Hwang Byong-ki)
    Korean music Confucian ritual 8/2 (Song Bang-Song)
    Korean folk music, common rhythms 2/2 (Lee Hye-ku)
    performance of 2/2 (Lee Hye-ku)
    regional variants 9/2 (Hahn Man-young)
    modes 9/2 (Lee Kang-sook)
    quintuple meter 13/1 (Lee Hye-Ku)
    rhythms and notation 2/2 (Lee Hye-Ku); 13/1 (Lee Hye-Ku); 23/1 (Howard)
    Shibi ch’ae 23/1 (Howard)
    traditional 12/2 (Provine)
    transcription of 2/2 (Lee Hye-ku)
    vocal 9/2 (Condit)
    Korean musical instrument ensembles 8/2 (Song Bang-Song)
    Korean percussive bands chil kut 23/1 (Howard)
    different models 23/1 (Howard)
    nongak 23/1 (Howard)
    percussive pieces 23/1 (Howard)
    yongnam nongak 23/1 (Howard)
    Korean words for "music" 9/2 (Hwang Byong-ki)
    koto 11/2 (Burnett); 12/2 (Tsuge); 28/1 (Johnson)
    compared to Chinese Zheng 26/2 (Thrasher)
    koto-kimiuta 12/2 (Tsuge)
    krtayuga 24/1 (Simms)
    kriti 17/1 (Neuman); 24/1 (Jackson)
    kroncong 7/1 (Becker); 7/1 (Heins); 18/1 (Chopyak)
    kudoki 27/1 (Groemer)
    kulintang music 27/2 (Kalanduyan)
    analysis of style 27/2 (Posner)
    gandingan playing 27/2 (Terada)
    influence in America 27/2 (Cadar)
    instruments of 27/2 (Scholz)
    repertorial nomenclature in 27/2 (Otto)
    role in Maranao societyl 27/2 (Cadar)
    variation in 27/2 (Cadar and Garfias)
    Kulthum, Umm 19/1 (Danielson)
    Kunkunshi 25/1-2 (Garfias)
    kunqu 12/2 (Thrasher)
    kurava 11/1 (Ross)
    Kurdish dance music 6/1-2 (Christensen)
    Kurdish narrative song melodic and rhythmic structure 4/1 (Blum)
    in bakhshi repertoire 4/1 (Blum)
    kyotaku 8/2 (Tsuge)
     
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