| Articles | ||
| An Indonesia Issue | ||
| Rahayu Supanggah | Campur Sari: A Reflection. | 1-20 |
| Sarah Weiss | Kothong Nanging Kebak, Empty Yet Full: Some Thoughts on Embodiment and Aesthetics in Javanese Performance. | 21-49 |
| Suryadi | Minangkabau Commercial Cassettes and the Cultural Impact of the Recording Industry in West Sumatra. | 51-89 |
| David Harnish | Worlds of Wayang Sasak: Music, Performance, and Negotiations of Religion and Modernity. | 91-120 |
| Book Reviews | ||
| Hilary V. Finchum-Sung | Nathan Hesselink (editor), Contemporary Directions: Korean Folk Music in the Twentieth Century and Beyond. | 121-125 |
| Richard Miller | E. Taylor Atkins, Blue Nippon: Authenticating Jazz in Japan | 126-130 |
| Peter Kvetko | Sunaina Marr Maira, Desis in the House: Indian American Youth Culture in New York City | 130-133 |
| Richard K. Wolf | Martin Clayton, Time in Indian Music: Rhythm, Meter, and Form in North Indian Rag Performance | 133-139 |
| Audio Recording Review | ||
| Inna F. Naroditskaya | Will Prentice (compilation and notes), Franz Hampe (recordings), Before the Revolution | 140-146 |
| David Henderson | Gert-Matthias
Wegner (recording and notes), Music of the Sherpa People of Nepal I:
Shebru Dance-songs from the Everest Region ——, Masterdrummers of Nepal Present Auspicious Drumming Traditions of Bhaktapur |
147-150 |
| Henry Spiller | Andrew Weintraub (recording and notes), Indonesia: Wayang Golek: The Sound and Celebration of Sundanese Puppet Theater | 150-154 |
| Video Recording Review | ||
| Sean Williams | Martin Clayton and Simon Cook, Wayang Golek: Performing Arts of Sunda | 154-156 |
| Alexander Khalil | Li Wei and Zhang Xingrong (recording and editing), Helen Rees and Amy Caitlin (notes for English edition), From China's Southwest Borders: Minority Dances, Songs and Instrumental Music from Yunnan | 157-158 |
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| About the Contributors | 159-161 | |
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| Asian Music Contents |
11 July, 2004