|
Articles |
|
|
An Indonesia Issue |
|
Rahayu Supanggah |
Campur Sari: A Reflection. |
1-20 |
Sarah Weiss |
Kothong Nanging Kebak, Empty Yet Full: Some Thoughts on Embodiment and Aesthetics
in Javanese Performance. |
21-49 |
Suryadi |
Minangkabau Commercial Cassettes and the Cultural Impact of the Recording Industry
in West Sumatra. |
51-89 |
David Harnish |
Worlds of Wayang Sasak: Music, Performance, and Negotiations of Religion and
Modernity. |
91-120 |
|
|
|
|
Book Reviews |
|
Jason Gibbs |
Adelaida Reyes, Songs of the Caged, Songs of the Free: Musics and the Vietnamese Refugee Experience |
121-125 |
Richard Miller |
E. Taylor Atkins, Blue Nippon: Authenticating Jazz in Japan |
126-130 |
Peter Kvetko |
Sunaina Marr Maira, Desis in the House: Indian American Youth Culture in New
York City |
130-133 |
Richard K. Wolf |
Martin Clayton, Time in Indian Music: Rhythm, Meter, and Form in North Indian
Rag Performance |
133-139 |
|
|
|
|
Audio Recording Review |
|
Inna F. Naroditskaya |
Will Prentice (compilation and notes), Franz Hampe (recordings), Before
the Revolution |
140-146 |
David Henderson |
Gert-Matthias
Wegner (recording and notes), Music of the Sherpa People of Nepal I:
Shebru Dance-songs from the Everest Region
——, Masterdrummers of Nepal Present Auspicious Drumming Traditions of
Bhaktapur |
147-150 |
Henry Spiller |
Andrew Weintraub (recording and notes), Indonesia: Wayang Golek: The Sound
and Celebration of Sundanese Puppet Theater |
150-154 |
|
|
|
|
Video Recording Review |
|
Sean Williams |
Martin Clayton and Simon Cook, Wayang Golek: Performing Arts of Sunda |
154-156 |
Alexander Khalil |
Li
Wei and Zhang Xingrong (recording and editing), Helen Rees and Amy Caitlin
(notes for English edition), From China's Southwest Borders: Minority
Dances, Songs and Instrumental Music from Yunnan |
157-158 |
|
|
|
|
About the Contributors |
159-161 |
|
|
|
|
Asian Music Contents |
|