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| Ricardo D. Trimillos |
From the Editor |
1-2 |
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| Articles |
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| Peter Manuel |
Hathrasi Rasiya: An Intermediate Song Genre of North India |
3-24 |
| Michael W. Harris |
A Score Full of Grief: Fumio Hayasaka's Music for Sanshō the Baliff (1954) |
25-54 |
| Nancy Cooper |
Retuning Javanese Identities: The Ironies of a Popular Genre |
55-88 |
| Clare Suet Ching Chan |
Standardizing and Exoticizing the Main Jo'oh: The Tourist Gaze and Identity Politics in the Music and Dance of the Indigenous Mah Meri of Maylaysia |
89-126 |
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| Book Review |
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| Jennifer Fraser |
Margaret Kartomi. Musical Journeys in Sumatra. |
127-130 |
| Beth Szczepanski |
Stephen Jones. Ritual and Music of North China, Volume 2, Shaanbei. |
130-133 |
| Min Wang |
Stephen Jones. In Search of the Folk Daoists of North China. |
132-136 |
| Bruno Deschênes |
Hugh de Ferranti. The Last Biwa Singer; A Blind Musician in History, Imagination and Performance. |
136-141 |
| E. Taylor Atkins |
David Novak. Japanoise: Music at the Edge of Circulation. |
141-144 |
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About
the Contributors |
145-146 |
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| Asian Music Volume Contents |
Summer/Fall
2015